Watercolor Postcards

After a trip to the art store I came home with watercolor postcards and a small travel watercolor set. I haven’t used watercolor since I was in high school, but I’m back at it. To shake of the cobwebs I used Creativebug‘s Beginning Watercolor tutorial by Yao Cheng. Her teaching style is welcoming and clear.


This is a travel set offered by Winsor & Newton plus a pencil from Camel Pencil Company. I love the portability, and the affordability.


As some say, this palette is becoming seasoned!


These crescent shapes are something I’ve been playing with in pencil and pastels. The shapes came out nicely with watercolor. Yao Cheng demonstrates in her tutorials how to let colors bleed in to the other, and the effect is stunning to me.


The crescent shape is one that I love, maybe because it is almost a circle.




What have you been getting in to lately? Thanks for stopping by!


Quilt Completed

This quilt started last year as two separate pieces from an in-person class at Country Roads Quilt Shoppe and a Carolyn Friedlander paper piecing creativebug tutorial. After combining the two pieces into one I added a border to even out the prints and piecing.

From West Virginia to Las Vegas and then to Virginia, this quilt was snuggled under after becoming only a sandwich! It also had a lot of machine quilting removed and redone; I found this task trying, but necessary.


For the paper piecing I used the scrap stash, with many of the fabrics being from Moda.


Quilting free form lines mesmerizes me because of the movement given to the quilt.


Many of these fabrics are from projects I completed prior to making this blog. It’s wonderful to see those scraps from previous projects, efforts, and little things of love I sent off in the world.


The main border fabric is from “Honeymoon” by Sarah Watts for Cotton + Steel. It reminds me of James Wright.


Since I’m a Robert Kaufman and Carolyn Friedlander fan this wide backing was perfect. It adds a nice softness.


The sunlight gives the machine quilting great shadows. Aurifil thread was used on this quilt.


One quilt done and another one on the way.


Our Kickstarter is going amazingly well. Thank you to all the supporters and those that have enjoyed the work. We’re really excited to being working on a new series of embroidery projects, and to be expanding Brambleton Threads.

Colorful Quilt Top

This quilt is an amalgamation of cloth, time, patterns, and my brain. I started making this quilt for a class using The Rabbit Factory’s Homespun Hill. The pieced blocks were fun and quick to put together. The color palette is dewy grass.


I modified this quilt top by adding Carolyn Friedlander‘s Creativebug Polk block.  I’ve done some paper-piecing, and found this exercise to be helpful and inspiring. Paper-piecing is a great stash buster. Creativebug provides excellent instructions, visually and in print format (I’m big a fan!).


The quilt top has batiks, prints, solids, and paper-pieced blocks. The fabric on hand became this quilt; in the past year my taste, knowledge, and understanding of fabric has become more robust, and I’m happy to see some old fabrics being incorporated into a quilt and removed from the stash. Sarah Watts’ Honeymoon made it in and some batiks my auntie gifted to me. I’m partial to Sarah Watts round lines.


Honestly, sitting close to this quilt top since April, I don’t know if I’m ready to look at it as a whole. And really, it isn’t complete, because I have to add quilting, backing, and binding. Overall, I like the movement and the quilt top.

What did you make over the weekend?