Quilt Completed

This quilt started last year as two separate pieces from an in-person class at Country Roads Quilt Shoppe and a Carolyn Friedlander paper piecing creativebug tutorial. After combining the two pieces into one I added a border to even out the prints and piecing.

From West Virginia to Las Vegas and then to Virginia, this quilt was snuggled under after becoming only a sandwich! It also had a lot of machine quilting removed and redone; I found this task trying, but necessary.

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For the paper piecing I used the scrap stash, with many of the fabrics being from Moda.

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Quilting free form lines mesmerizes me because of the movement given to the quilt.

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Many of these fabrics are from projects I completed prior to making this blog. It’s wonderful to see those scraps from previous projects, efforts, and little things of love I sent off in the world.

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The main border fabric is from “Honeymoon” by Sarah Watts for Cotton + Steel. It reminds me of James Wright.

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Since I’m a Robert Kaufman and Carolyn Friedlander fan this wide backing was perfect. It adds a nice softness.

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The sunlight gives the machine quilting great shadows. Aurifil thread was used on this quilt.

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One quilt done and another one on the way.

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Our Kickstarter is going amazingly well. Thank you to all the supporters and those that have enjoyed the work. We’re really excited to being working on a new series of embroidery projects, and to be expanding Brambleton Threads.

Colorful Quilt Top

This quilt is an amalgamation of cloth, time, patterns, and my brain. I started making this quilt for a class using The Rabbit Factory’s Homespun Hill. The pieced blocks were fun and quick to put together. The color palette is dewy grass.

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I modified this quilt top by adding Carolyn Friedlander‘s Creativebug Polk block.  I’ve done some paper-piecing, and found this exercise to be helpful and inspiring. Paper-piecing is a great stash buster. Creativebug provides excellent instructions, visually and in print format (I’m big a fan!).

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The quilt top has batiks, prints, solids, and paper-pieced blocks. The fabric on hand became this quilt; in the past year my taste, knowledge, and understanding of fabric has become more robust, and I’m happy to see some old fabrics being incorporated into a quilt and removed from the stash. Sarah Watts’ Honeymoon made it in and some batiks my auntie gifted to me. I’m partial to Sarah Watts round lines.

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Honestly, sitting close to this quilt top since April, I don’t know if I’m ready to look at it as a whole. And really, it isn’t complete, because I have to add quilting, backing, and binding. Overall, I like the movement and the quilt top.

What did you make over the weekend?