Quilt Completed

This quilt started last year as two separate pieces from an in-person class at Country Roads Quilt Shoppe and a Carolyn Friedlander paper piecing creativebug tutorial. After combining the two pieces into one I added a border to even out the prints and piecing.

From West Virginia to Las Vegas and then to Virginia, this quilt was snuggled under after becoming only a sandwich! It also had a lot of machine quilting removed and redone; I found this task trying, but necessary.

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For the paper piecing I used the scrap stash, with many of the fabrics being from Moda.

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Quilting free form lines mesmerizes me because of the movement given to the quilt.

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Many of these fabrics are from projects I completed prior to making this blog. It’s wonderful to see those scraps from previous projects, efforts, and little things of love I sent off in the world.

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The main border fabric is from “Honeymoon” by Sarah Watts for Cotton + Steel. It reminds me of James Wright.

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Since I’m a Robert Kaufman and Carolyn Friedlander fan this wide backing was perfect. It adds a nice softness.

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The sunlight gives the machine quilting great shadows. Aurifil thread was used on this quilt.

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One quilt done and another one on the way.

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Our Kickstarter is going amazingly well. Thank you to all the supporters and those that have enjoyed the work. We’re really excited to being working on a new series of embroidery projects, and to be expanding Brambleton Threads.

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Sun Embroidered

2016, like all years, has been incredible. This embroidered piece is influenced by the many sunrises I caught this year; waking up in the dawn’s dark is one of my favorite activities.

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After the embroidery was finished, I machine quilted the double wool batting with gold Gutermann thread.

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The front up close.

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The blue behind.

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Thanks for stopping by at any point during this year and after!

Around Applique

Eighty squarish circles later and I am feeling pleased to the max with the colors: I’m still in the sea.

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The pattern is Carolyn Friedlander’s Aerial Grove from her book Savor Each Stitch. Check her work out, and you will be picking up some fabric quickly.

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One of the strips was appliqued by my auntie during her visit and I completed the rest.

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Have a wonderful weekend!

Colorful Quilt Top

This quilt is an amalgamation of cloth, time, patterns, and my brain. I started making this quilt for a class using The Rabbit Factory’s Homespun Hill. The pieced blocks were fun and quick to put together. The color palette is dewy grass.

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I modified this quilt top by adding Carolyn Friedlander‘s Creativebug Polk block.  I’ve done some paper-piecing, and found this exercise to be helpful and inspiring. Paper-piecing is a great stash buster. Creativebug provides excellent instructions, visually and in print format (I’m big a fan!).

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The quilt top has batiks, prints, solids, and paper-pieced blocks. The fabric on hand became this quilt; in the past year my taste, knowledge, and understanding of fabric has become more robust, and I’m happy to see some old fabrics being incorporated into a quilt and removed from the stash. Sarah Watts’ Honeymoon made it in and some batiks my auntie gifted to me. I’m partial to Sarah Watts round lines.

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Honestly, sitting close to this quilt top since April, I don’t know if I’m ready to look at it as a whole. And really, it isn’t complete, because I have to add quilting, backing, and binding. Overall, I like the movement and the quilt top.

What did you make over the weekend?

 

Applique Strips Basted

Basting after pinning applique pieces is one of my favorite parts of the craft and I like that the turned edges seem smoother when compared with my turning-on-the-line only applique. Basting may seem like it’ll away time from stitching, but trust me, it doesn’t, and I don’t worry about being stuck with needles. I love all parts of needle-turn applique.

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Pattern Name & Author: Aerial Grove & Carolyn Friedlander

Right before I started this I stopped myself from working on a needle-turn applique project I wasn’t enjoying. The project and I did not mesh creatively and when I realized this it was an easy decision to move on. Now I’m stitching away happily.

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I recently (today) had guests, and one was my sewing auntie; she helped applique one strip and I’m finishing up the second. When I first saw this quilt pattern I was excited to start working on it. The pattern is fun, graceful, and lends itself to great amounts of color play.

Have any projects you’ve moved on from?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Diamond Star Baby Quilt

This is a quilt for a special person: first nephew I’ll ever meet! He comes from very bright and sweet people. When I saw Lizzy House‘s fabric line Natural History I fell in love with the playfulness of color and design. She seems pretty awesome. Check her out on Creativebug too (I am a huge fan of Creativebug, but more on that another time). I consulted School of Sewing‘s instructions for a baby-sized quilt, but then added in my own arrangement. IMG_5648.jpgIMG_5642.jpg

Carolyn Friedlander‘s new line Caraki tones down the color and adds to a structured effect. Bones are the best. We all need bones and they are beautiful to look at. Caraki is beautiful and strong. Perfect!

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I wasted no time using my favorite FM curved shape while quilting. I love this quilt, and I’m excited to meet the little guy it is for.

What have you been sewing up lately? Happy end of March to everyone!