March Meowness

Cats are mysterious creatures, and one of the most lovable. This feline was modeled after all those wonderful black cats in the world.

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The cat sketch.

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Using a weave in the background in one of my favorite filling techniques of late.

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A real cat’s cradle.

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What have you been stitching? Thanks for stopping by!

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Sun Embroidered

2016, like all years, has been incredible. This embroidered piece is influenced by the many sunrises I caught this year; waking up in the dawn’s dark is one of my favorite activities.

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After the embroidery was finished, I machine quilted the double wool batting with gold Gutermann thread.

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The front up close.

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The blue behind.

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Thanks for stopping by at any point during this year and after!

Around Applique

Eighty squarish circles later and I am feeling pleased to the max with the colors: I’m still in the sea.

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The pattern is Carolyn Friedlander’s Aerial Grove from her book Savor Each Stitch. Check her work out, and you will be picking up some fabric quickly.

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One of the strips was appliqued by my auntie during her visit and I completed the rest.

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Have a wonderful weekend!

Colorful Quilt Top

This quilt is an amalgamation of cloth, time, patterns, and my brain. I started making this quilt for a class using The Rabbit Factory’s Homespun Hill. The pieced blocks were fun and quick to put together. The color palette is dewy grass.

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I modified this quilt top by adding Carolyn Friedlander‘s Creativebug Polk block.  I’ve done some paper-piecing, and found this exercise to be helpful and inspiring. Paper-piecing is a great stash buster. Creativebug provides excellent instructions, visually and in print format (I’m big a fan!).

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The quilt top has batiks, prints, solids, and paper-pieced blocks. The fabric on hand became this quilt; in the past year my taste, knowledge, and understanding of fabric has become more robust, and I’m happy to see some old fabrics being incorporated into a quilt and removed from the stash. Sarah Watts’ Honeymoon made it in and some batiks my auntie gifted to me. I’m partial to Sarah Watts round lines.

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Honestly, sitting close to this quilt top since April, I don’t know if I’m ready to look at it as a whole. And really, it isn’t complete, because I have to add quilting, backing, and binding. Overall, I like the movement and the quilt top.

What did you make over the weekend?

 

Summer Colors

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The morning light is soft, warm, and surprising. With all of the resettling here I surprised myself by cutting out squares for applique on a quilt top. The color palette is warm with pinks and oranges highlighted by blues, greens, and purples. Looking up from under the water reminds me of summer, and for me these colors reflect the interplay between sun and sea.

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T-Shirt Top with Applique

Two summers ago I took Alabama Chanin’s Studio Week. It was an amazing experience and helped me understand a lot about garment construction and the make up of fabric and a pattern. I’ve made a dress, circle skirt, and a pin cushion since that time. Ideally my entire wardrobe would be handmade Albama Chanin, and I’m working on that! Whenever I wear the baby-doll dress people stop to ask about it and are shocked to learn that I made it.

At the workshop I also cut out a long-sleeved t-shirt top in a dark blue cotton jersey. Like all items cut and set aside I planned on finishing this top a long time ago, but now I am grateful for the time. I hadn’t learned how to applique yet, and I really wanted to applique a panel of this top.

The other week I caught the flu like many others and was laid out in bed. Luckily this shirt was all handwork! I used blanket and straight stitches. The fabric is Alabama Chanin’s cotton. IMG_5417.jpgIMG_5399.jpgIMG_5409.jpg

The shirt is incredibly soft and form fitting. I love the sense of accomplishment I have each time I make a garment, especially a hand sewn one! Have you made any of Alabama Chanin’s garments?