Eighty squarish circles later and I am feeling pleased to the max with the colors: I’m still in the sea.
The pattern is Carolyn Friedlander’s Aerial Grove from her book Savor Each Stitch. Check her work out, and you will be picking up some fabric quickly.
One of the strips was appliqued by my auntie during her visit and I completed the rest.
Have a wonderful weekend!
This quilt is an amalgamation of cloth, time, patterns, and my brain. I started making this quilt for a class using The Rabbit Factory’s Homespun Hill. The pieced blocks were fun and quick to put together. The color palette is dewy grass.
I modified this quilt top by adding Carolyn Friedlander‘s Creativebug Polk block. I’ve done some paper-piecing, and found this exercise to be helpful and inspiring. Paper-piecing is a great stash buster. Creativebug provides excellent instructions, visually and in print format (I’m big a fan!).
The quilt top has batiks, prints, solids, and paper-pieced blocks. The fabric on hand became this quilt; in the past year my taste, knowledge, and understanding of fabric has become more robust, and I’m happy to see some old fabrics being incorporated into a quilt and removed from the stash. Sarah Watts’ Honeymoon made it in and some batiks my auntie gifted to me. I’m partial to Sarah Watts round lines.
Honestly, sitting close to this quilt top since April, I don’t know if I’m ready to look at it as a whole. And really, it isn’t complete, because I have to add quilting, backing, and binding. Overall, I like the movement and the quilt top.
What did you make over the weekend?
This tote first started coming together in April, but was set aside for other projects. It caught my eye the other day. I scoped out the previous work, and found I was at the final steps of construction. The instructions are from The School of Sewing.
Free motion quilting is the best, and I love working on improving my skills.
Most of the scraps came from a baby quilt I finished in March.
The fabric scraps are mostly from Lizzy House’s line Natural History. A great line with playful fabrics that I love.
What have you been working on? Thanks for stopping by.
Basting after pinning applique pieces is one of my favorite parts of the craft and I like that the turned edges seem smoother when compared with my turning-on-the-line only applique. Basting may seem like it’ll away time from stitching, but trust me, it doesn’t, and I don’t worry about being stuck with needles. I love all parts of needle-turn applique.
Right before I started this I stopped myself from working on a needle-turn applique project I wasn’t enjoying. The project and I did not mesh creatively and when I realized this it was an easy decision to move on. Now I’m stitching away happily.
I recently (today) had guests, and one was my sewing auntie; she helped applique one strip and I’m finishing up the second. When I first saw this quilt pattern I was excited to start working on it. The pattern is fun, graceful, and lends itself to great amounts of color play.
Have any projects you’ve moved on from?
The morning light is soft, warm, and surprising. With all of the resettling here I surprised myself by cutting out squares for applique on a quilt top. The color palette is warm with pinks and oranges highlighted by blues, greens, and purples. Looking up from under the water reminds me of summer, and for me these colors reflect the interplay between sun and sea.